"Variations on the Word Sleep" By Margaret Atwood

Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her moral sense need to connect with the some other person, and they alike have it away the hopelessness of this goal: I would very(prenominal)(p) to trance you calming, which may not happen(1-2). The opening to the poem, as we see here, could be considered regular(prenominal) of Atwoods writing in the soul that oneness person longs to tie down with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the powerfulness struggle between workforce and women, and even between women. just now this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the dusky maze of their consciousness. The send-off sta nza evolves from a simple plea from the genderless verbaliser to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain enigmatical in this respect, which helps a wider audience identify with the work.

The poem also has merit because deep down seven short, simplistic lines we travel from a gentle yearning to a love convoluted and intense, with two minds merging unitedly in a fantasy: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark brandish slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the lecturer through what appears to be a ! lovers dream or fantasy. The cashier at first wishes only to watch their lover sleep, and so he/she desires to enter the same sleep, then envision him/her go through the layers of consciousness. As the reader... If you neediness to get a full essay, lodge it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay